Many of my generation will no doubt have got to know Canteloube’s gorgeous arrangements of Auvergne folk songs through the recordings of Victoria De Los Angeles. On LP I only had the first album recorded in 1969, which had a selection of songs on one side and her recording of Chausson’s Poème de l’amour et de la mer on the other, but this reissue couples only the Canteloube songs to the second all Canteloube album entitled Pastorale and recorded in 1974. Some might also remember that famous Dubonnet advert which used an arrangement of the gorgeous Baïlèro, lazily and yearningly sensuous in the performance under review. I can’t now think of this song without the De Los Angeles version coming into my mind’s ear.
De Los Angeles is in many ways the songs’ ideal interpreter, steering a sort of midway course between the more abrasive style of Madeleine Grey and the senusality of Anna Moffo. She has great fun with the colourful language and folk elements, exuding the bright eyed charm for which she is famous, but is also wonderfully expressive in the more melancholy songs, and the Lamoureux Orchestra under Jean-Pierre Jacquillat provide excellent support, all bathed in a warm acoustic.
There are now a lot of recordings of these songs out there (when the first album was released, I’m pretty sure there were only the early recordings of the aforementioned Madeleine Grey, a small selection by Anna Moffo and a couple of discs on the Vanguard label by Netania Davrath) and there are now a lot more sets out there by the likes of Kiri Te Kanawa, Jill Gomez, Dawn Upshaw, Véroniqe Gens, Frederica Von Stade and others, and all of them have their attractions, but these performances by De Los Angeles will always have a special place in my heart.